Physical Specifications |
|
Dimensions (W x H x D mm) |
413 x 253 x 71.4mm |
Weight |
4.5kg / 9.92lb |
Rack height |
Optional 3rd party |
Mount points |
Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom. Kensington lock on rear and lock down point on feet |
VESA mount |
100 x 100 |
Environmental |
|
Ambient operating temperature |
Up to 40° C (1000nits Full screen limited to 25° C) |
Construction and Control |
|
Body |
Aluminium alloy chassis with ABS Polycarbonate back plate |
Cooling |
Actively controlled fan and Heat Sink |
Tally light |
On rear |
Multi-function button |
Power / Pair remote |
Master control unit (MCU) |
Yes, Field replaceable |
Power |
|
DC in connector |
6 pin locking Push Pull connector |
Display |
|
Size |
16.5″ |
Resolution |
1920 x 1080 |
Viewing angle |
Super Wide Vision 178 Degrees >10% |
Screen coating |
Matte Anti Glare & reflection |
PPI |
142 |
Bit depth |
10Bit (8+2 FRC) |
Backlight Type |
Dynamic Full Array Local Dimming (FALD) 128 Zones |
Brightness (cdm2 / nits) |
Up to 1000 Full Screen and 1200nits Peak HDR |
Black Level (cdm2 / nits) |
0.002 |
Aspect ratio |
16:9 |
De-interlace mode |
Yes, graphic burning protection |
Color Gamut |
DCI-P3 (D65) |
Calibration support |
Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline |
|
Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
Gamut |
Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display |
.Cube Format Display Only |
Monitoring Modes |
SDR, 3D LUT, HDR |
HDR output Conversion |
Log / HDR to HLG / PQ / Dolby Vision |
Video Input |
|
HDMI |
1 x HDMI (2.0) 4k p60 |
HDMI RAW |
No – RAW not supported |
SDI |
2 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module |
SDI RAW |
No – RAW not supported |
Bit Depth |
8/10Bit Video |
Video Chroma Subsampling |
4:2:2 |
HDCP copy protection |
Not supported |
Metadata |
|
SDI |
File Name from Arri, RED |
Video Output |
|
HDMI |
1 x HDMI (2.0) 4k p60 |
SDI loop out |
1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module – level A and B selectable |
SDI Play out |
2 x 12G SDI Backwards compatible Autodetection AtomX SDI module – level A and B selectable |
Video Chroma Subsampling |
4:2:2 |
Bit Depth |
10Bit Video / 12Bit RAW |
Web Streaming |
|
USB UVC |
Optional via Connect 4k |
Video Signal Conversion |
|
Audio In/Out |
|
Audio Quality |
24/48kHz |
Audio Codec |
PCM |
HDMI |
8ch 24-Bit, input dependent |
SDI |
12ch 24-Bit, input dependent |
Analogue Audio in |
3.5mm 2ch. |
Headphone out |
3.5mm 2ch. |
Timecode / Sync |
|
Embedded |
HDMI and SDI |
Time of day |
Yes, Time and Date |
LTC |
via 3.5mm audio Jack input (Requires post processing) |
Resolution and Frame Rates (Record, Monitor & Playback) |
|
4k DCI |
23.98/24/25/29.9/30/50/59.94/60p |
4k UHD |
23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 |
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
FHD 1920 x 1080 Progressive |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF |
Converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced |
23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p |
50/59.94/60p |
Recording CODEC |
|
Apple ProRes |
LT, 422, 422HQ |
Avid DNxHD |
220x,220,145,36 |
Avid DNxHR |
LB, SQ, HQ, HQX. |
Playback |
|
Loop |
Yes, Entire clip |
Apple ProRes Raw |
Yes, recorded clips |
Apple ProRes |
Yes, with Linear PCM audio |
Avid DNx |
Yes, with Linear PCM audio |
Recording functions |
|
Multi Input / Switching |
|
SDI A/B toggle |
Via included AtomX SDI module |
Supported media |
|
Master Caddy I |
Not compatible |
SSDmini |
Native Size and Fit |
CFast II |
Supported cards via optional AtomX CFast Adapter |
File Naming |
Unit Name – Scene/Shot/Take, Arri & RED via SDI |
File System |
ExFAT |
On screen tools |
|
Waveform |
Yes, 3 size / Position |
RGB parade |
Yes, 3 size / Position |
Vector scope |
Yes, 2 size / Position |
1 x Zoom |
Yes. 1:1 Pixel mapping for 4k |
2 x Zoom |
Yes |
Focus peaking |
Colour selected / threshold setting / colour / Mono / edges only |
False colour |
Yes, with Scale |
Zebra |
Yes, Adjustable |
Isolate color channel |
Blue Only |
Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Safe areas |
Action and Graphic |
Anamorphic desqueeze |
1.33x , 1.5x ,1.8x ,2x |
Onboard Signal Processing |
|
Pulldown Removal |
24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD |
Loop out – 4K UHD to FHD |
DCI Crop |
Loop out – 17:9 to 16:9 Crop |
Remote control |
|
HDMI |
Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
SDI |
SDI trigger camera selectable |
Serial 2.5mm Jack |
LANC control and calibration via optional USB to serial cable |
Bluetooth LE |
iOS Atom Remote and future Mac OS release |
External Device Control |
|
Serial 2.5mm Jack |
BBRCU Button Bar remote control – Future product release |
Bluetooth LE |
iOS Atom Remote and future Mac OS release |
Supported Applications |
|
Video Codecs |
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
What’s in the box |
|
Accessories included |
NEON 17 Monitor, NEON Master Control Unit, 2 x Feet (inc. mount screws x 2), NEON Quick Start Guide, 1 x Master Caddy II (inc. screws), 19V AC Power Adapter with mount cage, AtomX SDI Expansion Module, Monitor Protective Sheath, MCU Protective Sheath, Hex Wrench. |
Optional extras |
HPRC Hard case |
Warranty |
|
Standard |
1 year. Extended to 3 years on product registration |
Target use / User |