| Physical Specifications |
|
| Dimensions (W x H x D mm) |
594 x 339.7 x 72.5mm |
| Weight |
8.6kg / 18.95lb |
| Mount points |
Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom. Kensington lock on rear and lock down point on feet |
| VESA mount |
100 x 100 |
| Environmental |
|
| Ambient operating temperature |
Up to 40° C (1000Nits Full screen limited to 25° C ) |
| Construction and Control |
|
| Body |
Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling |
Actively controlled fan and Heat Sink |
| Tally light |
On rear |
| Multi-function button |
Power / Pair remote |
| Master control unit (MCU) |
Yes, Field replaceable |
| Power |
|
| DC in connector |
6 pin locking push/pull connector |
| Display |
|
| Size |
24″ |
| Resolution |
4096 x 2160 |
| Viewing angle |
Super Wide Vision 178 Degrees >10% |
| Screen coating |
Matte Anti Glare & reflection |
| PPI |
192 |
| Bit depth |
True 10-Bit |
| Backlight Type |
Dynamic Full Array Local Dimming (FALD) 512 Zones128 zones |
| Brightness (cdm2 / nits) |
Up to 1000 Full Screen and 1200 Nits Peak HDR |
| Black Level (cdm2 / nits) |
0.002 |
| Aspect ratio |
17:9 |
| De-interlace mode |
Yes, Graphic burning protection |
| Color Gamut |
DCI-P3 (D65) |
| Calibration support |
Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
| Color Pipeline |
|
| Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut |
Bt2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display |
.Cube Format Display Only |
| Monitoring Modes |
SDR, 3D LUT, HDR |
| HDR output Conversion |
Log / HDR to HLG / PQ / Dolby Vision |
| Video Input |
|
| HDMI |
1 x HDMI (2.0) 4k p60 |
| HDMI RAW |
No – RAW not supported |
| SDI |
2 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module |
| SDI RAW |
No – RAW not supported |
| Bit Depth |
8/10-Bit Video |
| Video Chroma Subsampling |
4:2:2 |
| HDCP copy protection |
Not supported |
| Metadata |
|
| SDI |
File Name from Arri, RED |
| Video Output |
|
| HDMI |
1 x HDMI (2.0) 4k p60 |
| SDI loop out |
1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module – level A and B selectable |
| SDI Play out |
2 x 12G SDI Backwards compatible Autodetection AtomX SDI module – level A and B selectable |
| Video Chroma Subsampling |
4:2:2 |
| Bit Depth |
10Bit Video |
| Web Streaming |
|
| USB UVC |
Optional via Connect 4k |
| Video Signal Conversion |
|
| Audio In/Out |
|
| Audio Quality |
24/48kHz |
| Audio Codec |
PCM |
| HDMI |
8ch 24-Bit, input dependent |
| SDI |
12ch 24-Bit, input dependent |
| Analogue Audio in |
3.5mm 2ch. |
| Headphone out |
3.5mm 2ch. |
| Timecode / Sync |
|
| Embedded |
HDMI and SDI |
| Time of day |
Yes, Time and Date |
| LTC |
via 3.5mm audio Jack input (Requires post processing) |
| Resolution and Frame Rates (Record, Monitor & Playback) |
|
| 4k DCI |
23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD |
23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 |
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
| FHD 1920 x 1080 Progressive |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF |
Converted to P and looped out PsF |
| FHD 1920 x 1080 Interlaced |
23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p |
50/59.94/60p |
| Recording CODEC |
|
| Apple ProRes |
LT, 422, 422HQ |
| Avid DNxHD |
DNxHD 220x,220,145,36 |
| Avid DNxHR |
LB, SQ, HQ, HQX. |
| Playback |
|
| Loop |
Yes, Entire clip |
| Apple ProRes Raw |
Yes, recorded clips |
| Apple ProRes |
Yes, with Linear PCM audio |
| Avid DNx |
Yes, with Linear PCM audio |
| Recording functions |
|
| Multi Input / Switching |
|
| SDI A/B toggle |
Via included AtomX SDI module |
| Supported media |
|
| Master Caddy I |
Not compatible |
| SSDmini |
Native Size and Fit |
| CFast II |
Supported cards via optional AtomX CF Adapter |
| File Naming |
Unit Name – Scene/Shot/Take, Arri & RED via SDI |
| File System |
ExFAT |
| On screen tools |
|
| Waveform |
Yes, 3 size / Position |
| RGB parade |
Yes, 3 size / Position |
| Vector scope |
Yes, 2 size / Position |
| 1 x Zoom |
Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom |
Yes |
| Focus peaking |
Colour selected / threshold setting / colour / Mono / edges only |
| False colour |
Yes, with Scale |
| Zebra |
Yes, Adjustable |
| Isolate color channel |
Blue Only |
| Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Safe areas |
Action and Graphic |
| Anamorphic desqueeze |
1.33x , 1.5x ,1.8x ,2x |
| Onboard Signal Processing |
|
| Pulldown Removal |
24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD |
Loop out – 4K UHD to FHD |
| DCI Crop |
Loop out – 17:9 to 16:9 Crop |
| Remote control |
|
| HDMI |
Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI |
SDI trigger camera selectable |
| Serial 2.5mm Jack |
LANC control and calibration via optional USB to serial cable |
| Bluetooth LE |
iOS Atom Remote and future Mac OS release |
| External Device Control |
|
| Serial 2.5mm Jack |
BBRCU Button Bar remote control – Future product release |
| Bluetooth LE |
iOS Atom Remote and future Mac OS release |
| Supported Applications |
|
| Video Codecs |
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box |
|
| Accessories included |
NEON 24 Monitor, NEON Master Control Unit, 2 x Feet (inc. mount screws x 2), NEON Quick Start Guide, 1 x Master Caddy II (inc. screws), 19V AC Power Adapter with mount cage, AtomX SDI Expansion Module, Monitor Protective Sheath, MCU Protective Sheath, Hex Wrench. |
| Optional extras |
HPRC Hard case |
| Warranty |
|
| Standard |
1 year. Extended to 3 years on product registration |
| Target use / User |
